Also, here’s another new resource:
Author Archives: jonahrank
I’ve made some charts to help students of (most) ages learn read Hebrew.
Feel free to share!
Every once in a while, I do some project that requires me to search through the TaNaKh (תנ״ך). Therefore, I’ve created four very simple resources I–and now you too–can use to search through the TaNaKh:
1. A .pdf of the TaNaKh without any enumerations of chapters and verses and chapter/portion titles (as well as no indications of openings [פתוחות] or closings [סתומות] according to scribal traditions).
3. A .docx of the TaNaKh without any enumerations of chapters and verses and chapter/portion titles (as well as no indications of openings [פתוחות] or closings [סתומות] according to scribal traditions).
P. S. I am right now looking for verses that end and begin with certain combinations of letters. This will help me do this… somewhat.
At this link–here–are the words to four parodies I wrote for Purim, and below videos of the performances:
A few years back, I was humbled to be asked by my friend and teacher Rabbi Becky Silverstein what recommendations I had regarding gender-neutral ways to call folks to the Torah.
Tonight, while going through some old files, I found a sheet I had made up for this purpose and realized I had never posted it online anywhere.
How folks respond to the gender implications when mentioning lineages entails a chart I can provide at a future time.
With my new recording studio set up, I am happy to be making new recordings again of which I’m proud. The two recent recordings I’ve made that are most relevant to the post are of piyyutim (פיוטים, “liturgical poems”) to which I’ve set music. Their words are by an anonymous Jewish poet from some time in the early Middle Ages; Ezra Fleischer (עזרא פליישר) collected these texts in his book Pizmoney Ha’Anonymus (פזמוני האנונימוס). Each of these piyyutim were intended to be sung for the Torah readings throughout the year (and likely–the years–as the division of the piyyutim in Fleischer’s book indicates that the author was probably used to the Torah reading not taking one year, but several years). I’ve matched the two short excerpts for which I’ve composed music in accordance with as presented below (and you can click also for text and sheet music):